Connect the GP-10 to your computer via USBĢ. The tracks for the six Strings need to go to outputs 1 - 6.ġ. Then you'll create 6 mono audio tracks on remaining inputs 3 - 8 (representing GK Strings 1 - 6). In the procedure below you will create one Stereo Audio Track with Inputs & outputs on 1 + 2 to record processed reamp audio. The Apple OSX offers you one I/O for every string. Maybe that will be a future project.Īlways connect GP-10 to the SAME Mac USB PORT used for GP-10 USB driver install I include some windows information with this, but when I started setting this up I found fairly soon that I could only get string pair tracks from windows apps (without a fight) whereas Mac offered one track per string for Reguitaring which I haven't looked into yet. ![]() Maybe "reprocessing" would be most accurate since, by feeding an audio signal into the GP-10 you get to use ALL the features to tweak the sound. Roland call this reamping on the GP-10 and resynthesis on the SY1000. Hopefully this guide may resonate with those at the infant stage like myself. I'm 62 YO and all my mates are into their vintage gear or maybe just stomp on the pedal. Unfortunately, almost all of it pre-supposes knowledge I just don't have. It took me 3.5 solid days of lockdown! Thank you so much to everyone for existing information on this topic. Reamping was such a hard-won battle for me I felt obliged to share. If that doesn't work, use ReaFir in Subtract mode, using a looped second of the hiss as the reference.Īlternatively, use Softamp with the cabinet sim disabled + a Redwirez Mesa V30 IR, drop the DI in there, and get on with life.Hi all. Throw ReaGate on the reamped track(s) to gate out hiss. Create a new track with the input your mic's plugged into, record enable it, set the playhead a few bars ahead of the start of the DI track, and record. I kinda like an MXL990 just off the grille cloth for cleans for clean guitars, but almost any mic will work. Dial in your amp, doing your best to isolate yourself from the sound coming off the speakers so you hear the microphones. Like more than normal considering all the crap you have between your "guitar" and amp. If you want a glassy clean sound, you gotta watch the preamp gain, because any noise from the interface will be heard loud and clear. If the DI track clips, check the clip volume, output volume, track fader if enabled, and amp gain. ![]() If you have any processing on the DI track you don't want to hear, set the send to Pre-FX. Set the DI track to output to the free output as above. Set the track fader to unity gain, the pan to Center, and add any effects you want, like compression or distortion or modulation just remember to keep it mono. Select the entire performance and press Shift+N this will normalize all the clips using a common gain so that the clips are as loud as possible without compressing or clipping the signal. Put the DI guitar onto a fresh track and add a gentle ReaGate to take care of interface noise. This is a one-time process, and it applies to dirty reamping as well. If not, then remember what you had to do to get the levels proper, like what gear you used and where you cut or boosted signal. If your reamp box has a volume knob, just leave it where it is. Once you have those settings down, commit them to memory. I did this with the volume knob on my Reamp box, but if you don't have one, try using the fader for the track's send to the output, or take off/add gain from the interface's software if it has that capability, or maybe even a boost or volume pedal after the box. The key is to try and match the loudness of your guitar going through the interface to how loud it was just going through the cable. (If you only have two, route your entire mix to exclusively the left output and reamp through the right output.) Uncheck the "Master send" check box. Go into the I/O routing button on the track control panel (the three dots) and under Audio Hardware Outputs, click "Add new hardware output" and select an output that's not being used. Record enable the track, and turn up the preamp gain on your interface until it clips when you play as loud as you can, then back off a bit. Then, take your guitar and plug it into your interface, and create a new track with the input your guitar is plugged into. Get a feel for how it sounds and how loud it is. Turn on your amp and play stuff for a couple minutes.
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